Faculty Profile

My projects are informed by contemporary design language and its dissemination as printed matter. The work is realized in a variety of media as multiples, objects and exhibitions where sites of violence and politics intersect with graphic identity and reproduction.

• M.F.A., Southern Illinois University, Carbondale, 1998–2001
• B.F.A., (hons.) Fine Art, Duncan of Jordanstone College of Art, Dundee, Scotland, 1995–98
• Cumbria College of Art and Design, Carlisle, England, 1994–95

• 2004–present: Lecturer Printmaking/Electronic Imaging, Cornell University
• 2001: Lecturer Printmaking/Foundation Studies, Southern Illinois University, Carbondale.

• Critical Art - AAP Publications
• Art World Digest, March 2006
• CCA Emerging Artists Exhibition, Herbert F. Johnson Museum, Ithaca NY.
• Reset, Akademia Sztuk Pieknych w Krakowie ISBN 83-87651-08-7

• ART 2304 Large Format Digital Printing
• ART 1302 Intro. to Graphics
• ART 2303 Litho. II
• ART 3301 Printmaking III
• ART 3302 Printmaking IV
• ART 1701 Electronic Imaging in Art

• 2009: 83rd Annual International Competition, selected by Peter Nesbett and Shelly Bancroft, The Print Center, Philadelphia, PA
• 2009: To Let Art Program, The Working Relationship, Ithaca, NY
• 2008: Temp. Space: Four Day Social Club, The Working Relationship, Ithaca, NY
• 2008: Off the Shelf, Bank Street Arts, Sheffield, England, UK
• 2008: A Supplement to a Portrait of Michael Collins - edition for The Working Relationship, Ithaca, NY 
• 2008: Republic, Rural Research Laboratories at the Arnot Museum, Elmira, NY
• 2007: Insert – Two Seats in The Scottish Parliament, (multiple) available at Printed Matter Inc. NY
• 2006: Insert - Paisdoni (Mailed multiple / Cornell Council for the Arts)
• 2005: Pages, curated by Buzz Spector, I Space, Chicago and Christinerose/Josee Bienvenu Gallery, New York City in 2003
• 2004: Paring Down, Gardenfresh Gallery, Chicago, IL 
• 2004: CCA Emerging Artists Exhibition, Herbert F. Johnson Museum, Ithaca, NY
• 2004: GO, Max L. Gatov Galleries, California State University, Long Beach, CA
• 2004: Paring Down, Gardenfresh Gallery, Chicago IL
• 2003: Tracing Times, Iziko South African Museum - Impact International Print Conference, Cape Town, South Africa
• 2002: Insert – Folder-P (mailed multiple) ITER-ITER-ATION - Literature Rack Curated by Natalie Campbell, Nurtureart, Brooklyn, NY
• 2002: Reset: Media Arts Festival, Bunkier Sztuki Gallery of Contemporary Art, in association with the Kracow Academy of Fine Arts and the Goethe Institute, Kracow, Poland

• White Columns